Bamboo carving

Ming Dynasty brush pot, housed in Nanjing Museum.
Ming Dynasty brush pot, housed in Nanjing Museum.

Bamboo carving means to carve various ornamental patterns or characters on bamboo items, or make ornaments from bamboo roots by carving. China is the first country in the world using bamboo articles. The extant bamboo carving item early in age is the painted lacquer bamboo ladle unearthed from the Western Han Tombs No. 1 in Mawangdui of Changsha. Decorated with dragon and braids designs using bas-relief and fretwork techniques, it is a highly finished rarity.
Since the mid-Ming Dynasty, bamboo carving developed into a special art. At the very beginning, there were only a few well-educated artisans working for bamboo carving. As bamboo was easily available, more and more people started to join in this craft, some by learning from others privately, until bamboo carving became a special line with a great quantity of works left over to posterity. Bamboo joint carving is the representative variety in bamboo carving in which bamboo joints are shaped into brush pots, incense tubes, tea caddies, etc. and then its surface pierced out to make relief sculpture to produce an artistic effect.

The techniques of bamboo carving mainly include keeping green-covering, pasting yellow chips, round carving and inlaying.

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Arts and Crafts during the Qin and Han Dynasty

Terracotta warriors of Qin Dynasty, unearthed from the  tomb of the First Emperor of the Qin Dynasty in Lintong, Shaanxi
Terracotta warriors of Qin Dynasty, unearthed from the tomb of the First Emperor of the Qin Dynasty in Lintong, Shaanxi

The period of the Qing Dynasty and the Han Dynasty was a period to establish and consolidated a centralized feudal monarch with multi nationalities united in China. The political system of centralization of the state power required the technologic production under a single command and a grand scale. A segment of a whole can be seen from the world-famous architectures and statues of the Qing Dynasty such as the Great Wall, the tomb of the First Emperor of the Qin Dynasty and his terracotta warriors and horses.

There were two kinds of operation for the arts and crafts in the period of the Qin Dynasty and the Han Dynasty: run by the government and by self-employed artisans. The former was mainly to meet the demands of imperial household and the nobility, the yamen (government office in feudal China) at all levels and the army. So the scale was grand, the trades were numerous, the division of labor was elaborate, the management was perfect, and the funds were abundant. As for the latter, the natural economy of the self-supporting and self-sufficient agricultural society was its important content, i.e. men tilling the farm and women weaving.

The government-run handicrafts of the Qin Dynasty included mining, smelting and casting, arms and weapons, carriages and chariots, tools and implements, lacquer ware and earthenware. The government, from the central to the local, set up large-scale handicraft administrations. During the Qin and Han period, iron-smelting industry had a great development. With the emergence of the technology of well-tempered steel forged for several times, the quality of ironware like weapons and farm tools was improved and social production promoted. In the early stage of the Qin Dynasty, ministerial government was honest and upright, the people were simple and honest, and arts and crafts laid stress on practical use with simple and unadorned shapes. As the rule of the Qin Dynasty lasted for only fifteen years, not too many handicraft articles have been handed down and what was left is mainly bronze ware, lacquer work and earthenware.

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Arts and Crafts during the Sui, Tang and Five Dynasties

Musicians on camelback, Tang0dynasty tri-color figurines
Musicians on camelback, Tang0dynasty Tri-color figurines

The period of the Sui Dynasty and the Tang Dynasty was a stage of great prosperity in the ancient society of China. As the reunified multi-national country was further developed and consolidated, the social economy and culture became unprecedentedly prosperous.

During the period of the Sui Dynasty and the Tang Dynasty, the government still controlled the main handicraft departments and the administrative setups were more perfect. Te government-run handicraft played a leading role in the respects of scale, organization, division of labor and technology. Many products were sold abroad through tributes, grants and trading and they were also sold at home through the form of monopolized sale. The division of labor was even more elaborate. Artisans of different profession had to receive technical training and study from nine months to four years, for instance, metalsmith for four years; artisan to make musical instrument and chariot, three years; and bamboo artisan, carpenter and lacquerer, one year.

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